Before I started making pottery, I had the idea that you had to make a perfect pot. Over time I have come to realize there is no such thing as a perfect pot. There is a relationship between the potter and the clay, and the clay has a mind of its own. You can shape it and bend it to a certain extent. But if you try to mold the clay in a way it doesn’t want to go, it will end up in your lap. [laughs] Pottery is a good teacher. It teaches you patience and how to get centered and not think about anything but doing pottery. If you start thinking about something else, you’ll end up with the clay flying across the room. It just keeps me in the moment. It took me years and years to learn that you don’t try to create a certain number of pots in a given period of time. You just have to concentrate on what you’re doing right now and hope that you get something that somebody will like. A lot of times I will work on a pot that I don’t think is all that good, but then somebody comes by the table and really enjoys it and pays money for it. Evidently, somebody liked it. [smiles]
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